LITTLE RIVER
BAND NEWS 2005
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All
change….
by Martin Starkie |
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Lots
of things are new for LRB this year.
A new monitor tech – Mark McNeill.
A new guitar tech, but a familiar first name and even the same hometown
as his predecessor – Pat Whitwam.
A new tour bus, but an old driver. Sorry Earl…
And oh yes, a couple of new band members. Billy and Chris.
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Chris
Marion keys
& vocals
Photo by Narno Casasús |
2005
saw the first line-up changes in Little River Band for over five years
– certainly the longest anyone can remember the band being unchanged.
There will be some more detailed biographies on the site in due course,
but in the meantime LRB News caught up with the newcomers to find out
a little more about them, and their thoughts on joining such an illustrious
list of players. Billy Thomas (drums) and Chris Marion (keyboards),
both based out of Nashville, joined up in time for start of tour 2005,
and responding to our questions, here is what they had to say.
How did the gig come about in the first place?
Chris:
Wayne Nelson and I have a mutual friend in the business, who when pressed
for who may be a Nashville player that could play keys, sing and be
a good fit in a band etc. – told him I was his man. Wayne called
me sometime around Thanksgiving – when he said he was the lead
singer of LRB I was convinced my friends were playing games with me!
Earlier that same week I’d been listening to the Greatest Hits
CD during a road trip so I was sure someone from the trip was winding
me up. Once we got that sorted out, we agreed that I’d play a
short-notice show with them in place of a regular audition – a
chance to show what I could do, and of course to see if I liked LRB!
Billy:
Another drummer called Kip Raines had been playing some gigs with the
guys in the band, but couldn’t do the permanent stint that the
tour demanded – he referred my name to Wayne (editors
note – Kip has also played a couple of gigs during the tour when
Billy’s prior commitments meant he was unavailable – see
the Reba story later in the News).
I was called to an audition and came in as prepared as I could be. Having
been a working drummer for so many years I hadn’t done any auditions
for a long time, so I was a little nervous at first, but the fellows
were so cordial that I quickly felt at home and at ease. I was in.
Chris:
I had to learn 14 songs, two hands worth of keyboard parts and vocals
on every song in about 10 days! Fortunately I knew all of the hits and
had actually played and sung some of them in cover bands when I was
younger. Some of the new changes and extended endings certainly took
some woodshedding. (editors note – “must
be a Nashville expression…”) The show went well and
I was invited to join the band.
What were your thoughts about joining LRB?
Chris:
I’d been a fan since 1978 – I had the cassette of First
Under The Wire from way back and used to play Cool Change in a club
band! I remember sitting in my Datsun ( Nissan for you youngsters out
there – Ed.) in the mountains of rural Virginia and singing along
to Reminiscing, thinking how cool the chord changes were and trying
out each vocal part. Most of the guys I played with back then preferred
Molly Hatchet or Lynyrd Skynyrd, but LRB played music that I loved.
I wasn’t necessarily looking for a touring job but I viewed the
invitation to join as a once-in-a lifetime opportunity I didn’t
want to miss.
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Billy
Thomas drums
& vocals |
Billy:
My thoughts exactly – I remembered those songs, those vocals and
harmonies and the musicianship, so I was really honoured to be asked
to come and play.
How much did you know about the band and the players before
you joined, and what was your impression when you met and played with
the guys?
Billy:
To be absolutely truthful I knew nothing much about the band other than
their hits. I’d never seen any photos or videos that I can recall,
and of course being a working musician I rarely got to see other people
play. The only thing I knew was that they were Australian and very talented
folks. I’d spoken to Wayne briefly and he had seemed very professional
and approachable; I went to the audition with an open mind and was pleasantly
surprised – everyone was from that same mould. They treated me
with great respect and we got down to business quickly. It seemed to
go well and when I got the call I was truly delighted.
Chris:
I didn’t know a lot about the individual members – LRB never
seemed to be that kind of band. Like Billy, I’d never seen them
live due to my own work schedule. After working with Wayne, Stephen
and Greg, I was really impressed with their commitment to excellence.
I’m in my mid-forties (the best age – Ed.) and I’ve
lost the desire to play music just for the sake of it, the outlet -
I have plenty of those. I want to invest in excellence, and that’s
the factor that made me want to be a part of this. They set the bar
very high for themselves so it’s easy for me to find common ground
there. After working several shows at this point in the tour, we’ve
had great fun playing and I can really see this line-up being a very
productive and high-quality outfit. There’s a lot of joy in the
show.
Any favourite material at this early stage?
Billy:
So far that would have to be Reminiscing, and the We Two/Down On The
Border segue - they’re very different extensions of the band’s
sound. I came here to rock so I’m having fun.
Chris:
My favourite will always be Reminiscing. Then Cool Change and Take It
Easy On Me since they’re such keyboard-driven songs. And Long
Way There – we’ve taken that to the next level in funk-rock.
You’re both singers as well as instrumentalists –
was the prospect of singing in the band an extra attraction?
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LRB
backstage, between vocal warm-ups
House of Blues
Myrtle Beach, South Carolina |
Chris:
I’ve always sung in bands. The ability to both play and sing in
Nashville is a must if you want to work. The higher vocal parts that
I’m currently singing with LRB are a little more taxing than the
country stuff that I do in other configurations so it's a challenge
that I like.
Billy:
The prospect of singing with LRB is a great challenge for me –
and I mean that in the best way. I’ve always sung in every vocal
group I’ve performed with, so it’s not an uncomfortable
place. It’s just that these guys place such importance on the
quality of their vocals that I feel honoured to carry the parts I’ve
been given.
Chris:
One thing that I’m pleasantly surprised about is the opportunity
and invitation to really contribute to the creative direction of the
band. It would have been easy, and probably normal in Nashville to hire
Billy and me just as “side guys”, but we’ve already
had the opportunity to step in and make contributions on a creative
level. Often, you just don't get that level of respect from a baby country
artist, let alone from members of a classic rock band that's sold 20
some million units and has been around for 30 years. So, that's made
me want to be a part of this operation for the long run.
The early reports coming back from fans at the shows this year certainly
indicate that Billy and Chris have slotted in really well and that LRB
is having as much fun as ever. To quote Stephen Housden after a recent
show, “we’re really enjoying the shows with the new line-up,
and can’t wait to get back on stage each night”.
Happy
Birthday Reba….
Fans disappointed that they couldn’t
get tickets to the show on March 24th at the Wiltern Theater in L.A.
will probably not have known that it was actually a surprise party to
mark Reba McEntire’s 50th birthday, and that LRB were the best-kept
secret of the evening.
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Little
River Band
with Reba
McEntire |
Wayne’s association with Reba goes back some 20 years. She was
planning a new CD and wanted to break away from her usual Nashville
formula and use other players. She was reported to say "I want
the guy that chews gum while he plays the bass line and sings lead vocal
on Happy Anniversary"!
Wayne told LRB News:
“Reba and her husband loved LRB and just about wore out the HBO
special. The call for her party came from their office in Nashville...surprise
party, 50th birthday, LA venue, etc. She was shocked when the curtains
opened and we started out with the big vocal from Long Way There (yes
folks - it's back this tour!) Then she and her husband proceeded to
dance to almost every song. The coolest thing was that she would pause
and turn to watch the stage every time one of the new twists to an arrangement
came along. It was gratifying to know that a musician and performer
of her caliber was really paying attention - enjoying the fact that
the song was there but that we had spiced it up a bit. It was a lot
of fun. We had to make a mad dash to LAX and overnight to Florida for
a spring break show there, so we didn't get to hang much. But the office
emailed back that we were a "HUGE success" with the Hollywood
partygoers."
The
guy on the right is Kip Raines, who drums when Billy isn’t available.
Or is it the other way round…?
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America
and Mexico – together at last! |
Two
of the first shows on tour this year were down Mexico way, in Mexico
City and Monterrey. LRB shared the bill with America (the band, not
the continent) and by all accounts the shows were fantastic. At one
point the guys in America were looking for Stephen to call him to jam
with them on stage, but couldn’t see him, as he was too busy taking
photos of them. They did get together eventually however, as this neat
backstage shot shows.
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Steve
with
America
Rich
Campbell ~ Gerry Beckley ~ Stephen Housden ~ Dewey Bunnell ~
Michael Woods ~ Willy Leacox
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That
would have been an interesting jam session…maybe next time!
Most
curious photo of the tour so far…
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Chris
and antelopes |
After the Monterrey show, the promoter threw a party and invited the
band along.
Chris obviously got into the swing quickly and entertained the crowd
with a few impromptu tunes on the piano.
We understand it’s the first time he’s ever played surrounded
by antelopes…enough to make his hair stand on end.